Bus Stop (1956)
Directed by Joshua Logan

Comedy / Drama / Romance

Film Review

Abstract picture representing Bus Stop (1956)
This is the film that convinced the doubters that Marilyn Monroe really could act.  Immediately prior to this film, the actress had taken a year out to study her craft under the great theatre actor Lee Strasberg and, judging by her performance in this film, the time and the money were well spent.  Bus Stop, an enjoyable adaptation of William Inge's popular stage play, reveals Monroe at her most potent - sensually sizzling in her musical numbers, hilarious in the comedy digressions, and devastatingly poignant in her portrayal of a jaded young woman who experiences true love for the first time.  This was the career high point for Hollywood's most iconic actress. Although there were some notable films to come - The Prince and the Showgirl (1957), Some Like It Hot (1959), Let's Make Love (1960) - Marilyn's career began its downward descent here.

Here, the gorgeous Marilyn is effectively partnered with Don Murray, who, whilst instantly likeable, manages to give a good impression of the gayest cowboy ever.  Hard to believe but this was Murray's film debut; the actor is perhaps best remembered today for his two-year stint in the American sitcom Knots Landing (in which he was shockingly killed off).   The scene in which Murray lassoes a fleeing Monroe as though she were a wayward steer is the stuff of comedy legend, and one in the eye for the feminists.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Bo Decker, a young cowboy who owns a thriving ranch in Montana, takes the bus to Phoenix with his friend Virgil to participate in a rodeo event.  Whilst in town, he is determined to find himself a wife, although he has yet to realise that women expect to be treated differently to cattle.  Bo's fancy is taken by an attractive young bar singer, Cherie, but she is strangely reluctant to get on the bus and head back to Montana to be his bride...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Joshua Logan
  • Script: George Axelrod, William Inge (play)
  • Cinematographer: Milton R. Krasner
  • Music: Cyril J. Mockridge, Alfred Newman
  • Cast: Marilyn Monroe (Cherie), Don Murray (Beauregard 'Bo' Decker), Arthur O'Connell (Virgil Blessing), Betty Field (Grace), Eileen Heckart (Vera), Robert Bray (Carl), Hope Lange (Elma Duckworth), Hans Conried (Life Magazine Photographer), Max Showalter (Life Magazine Reporter), Linda Brace (Evelyn), Budd Buster (Elderly Passenger), Mary Carroll (Cashier), J.M. Dunlap (Orville), Ed Fury (Cowboy in Saloon), Buddy Heaton (Clown), Fay L. Ivor (Rodeo Usher), Richard Culvert Johnson (Messenger), Terry Kelman (Gerald), Lucille Knox (Blonde on Street), Pete Logan (Announcer)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 96 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright