House on Haunted Hill (1959)
Directed by William Castle

Drama / Horror / Thriller

Film Review

Abstract picture representing House on Haunted Hill (1959)
House on Haunted Hill is the best in a series of low budget horror movies that were produced and directed by William Castle in the late 1950s, early 1960s.  Other films in the series included: Macabre (1958), 13 Ghosts (1960) and The Old Dark House (1963).  For several of these films, Castle made use of his patented Emergo system, which involved flying a mock skeleton over the heads of his audience on a pulley system at crucial moments in the film.  Needless to say the system did not endure, as it ended up being used for target practice, by spectators who found a new and exciting use for their popcorn and empty drinks cans.

House on Haunted Hill offers enough good old-fashioned chills and thrills to make gimmicks such as Emergo an unnecessary distraction.  Its success inspired Alfred Hitchcock to make his own low budget horror flick, Psycho (1960).   Although the multi-twisted plot is too clever for its own good, and is basically a complacent rip off of H.G. Clouzot's Les Diaboliques (1955), Castle draws the maximum possible menace from it and crafts an intricate and compelling murder mystery (the twist being that the murder hasn't yet taken place).

Some highly effective camerawork and lighting lend the film an appropriately creepy atmosphere which is almost guaranteed to bring on a chronic attack of goose bumps.  The macabre delights on offer include severed heads, floating zombies, a rope with a life of its own, a walking skeleton with overt homicidal tendencies and, scariest of all, a seductively sinister Vincent Price.  The underbelly of dry dark humour adds to the film's entertainment value, helping to make this a classic of its kind.  Don't waste your  time or your money on the trashy 1999 remake; the original is far more satisfying.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

At the suggestion of his wife, Annabelle, eccentric millionaire Fredrick Loren invites five strangers to his house, offering each of them ten thousand dollars if they manage to spend one full night in the house.  One of the guests, Watson Pritchard, is convinced that the house is haunted, since his brother was murdered there by his wife, and this was preceded by several other killings.  One previous tenant of the house died horrifically when he fell into a vat of acid in the cellar,  a vat which is still there.  Dr David Trent dismisses all this talk of ghosts and is confident he will collect his cheque from Loren in the morning.   Nora Manning is less certain and becomes increasingly neurotic as she is assailed by a series of frightening apparitions.  Loren issues each of his guests with a loaded gun, but, as one of the guests points out, these will be useless against the spirits of the dead...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: William Castle
  • Script: Robb White
  • Cinematographer: Carl E. Guthrie
  • Music: Von Dexter
  • Cast: Vincent Price (Frederick Loren), Carol Ohmart (Annabelle Loren), Richard Long (Lance Schroeder), Alan Marshal (Dr. David Trent), Carolyn Craig (Nora Manning), Elisha Cook Jr. (Watson Pritchard), Julie Mitchum (Ruth Bridgers), Leona Anderson (Mrs. Slydes), Howard Hoffman (Jonas), Skeleton (Himself)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 75 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright