La Tête du client (1965)
Directed by Jacques Poitrenaud

Comedy / Crime

Film Review

Abstract picture representing La Tete du client (1965)
What was originally conceived as a straight adaptation of Michel Lebrun's grim thriller La Grosse tête somehow ended up as this frivolous farce, which is let down by some puerile attempts at humour and a distinct lack of plot.  Jacques Poitrenaud belongs to the Jean Girault school of filmmaking, and were it not for the illustrious comedy performers that graced his films his name would have been long forgotten.  La Tête du client offers not only one of French cinema's best comedy double acts - in the form of Michel Serrault and Jean Poiret - it also puts the comedic talents of Francis Blanche, Jean Richard and Darry Cowl to good use.  You have to wait right to the end of the film to enjoy its best gag but there's plenty of lowbrow amusement to be had along the way.  Definitely not a classic, but the film does at least help to while away a dull minute or two.   Here Michel Serrault gives some meaning to the phrase 'mad as a hatter', just as he would do seventeen years later in Claude Chabrol's Les Fantômes du chapelier (1982).
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

To go by his outward appearance, Gaston Berrien would seem to be the very epitome of bourgeois respectability.  A hat maker, he runs his own business in Vaucresson and is happily married to Françoise, an outgoing woman who is mostly preoccupied with the crime novels she writes.  This model couple have two model children, Freddy and Evelyne, both 17.  But, alas, the hat trade is no longer as lucrative as it once was, and so Gaston must supplement his income by other means.  He has entered into partnership with his brother-in-law, Philippe, running an illegal  gambling den in Sucy-en-Brie.  It is a lucrative line of business and Gaston has nothing to complain about - until his daughter makes the mistake of falling in love with one of his gambling clients.  Things take an even more serious turn when a mysterious stranger turns up and threatens to expose Gaston's highly illicit operation...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jacques Poitrenaud
  • Script: José Luis Barbero, Gérard Carlier, Jean-Charles Lagneau, Jacques Poitrenaud, Jean-Loup Dabadie (dialogue), Michel Lebrun (novel)
  • Cinematographer: Andréas Winding
  • Music: Charles Aznavour, Georges Garvarentz
  • Cast: Michel Serrault (Gaston Berrien), Jean Poiret (Philippe), Sophie Desmarets (Françoise Berrien), Jean Richard (Docteur Tannait), Francis Blanche (Mario l'enchanteur), Laura Valenzuela (Gladys), Caroline Cellier (Evelyne Berrien), Patrice Laffont (Guy Tannait), Sébastien Poitrenaud (Freddy Berrien), María Granada (La bonne Maria), Laura Granados (La barmaid), Anna Gaylor (Janine), Dominique Davray (Une cliente du docteur Tannait), Martine de Breteuil (Mme Rose), Dany Jacquet (La fille draguée par Freddy), Robert Rollis (Le gendarme François-Joseph), Jacques Legras (Le chauffeur de taxi), Michel Modo (Le collègue de François-Joseph), Marcel Charvey (Un joueur de roulettes), Darry Cowl (L'agent André)
  • Country: Spain / France
  • Language: French
  • Support: Black and White
  • Runtime: 94 min

Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright