Les Bricoleurs (1962)
Directed by Jean Girault

Comedy / Crime
aka: Who Stole the Body?

Film Review

Abstract picture representing Les Bricoleurs (1962)
Before he began his long a fruitful collaboration wth comedy giant Louis de Funès, Jean Girault directed a number of inferior comedies, scripted by his other long-term associate Jacques Vilfrid.  As dreadful as some of these are, most were enormously popular - in fact Girault already had a string of box office hits under his belt even before he began working with de Funès.  Most of Girault's early films featured two other well-liked comedians, Francis Blanche and Darry Cowl, who tended to work better as a double act in films rather than individually (doubly so in the case of Cowl).

After Girault's Les Pique-assiette (1960) and Les Livreurs (1963) had proved massively popular with French cinema audiences, Blanche and Cowl were let down on the director's third film with an asinine script that resorts to the most puerile kind of humour, and with next to nothing in the way of a plot to hold the film together.  The presence of Elke Sommer (near the start of her career) and legendary comedienne Jacqueline Maillan help to pep the film up a little but Vilfrid and Girault's idea of comedy soon becomes wearisome.  Without a decent script to guide and restrain their inimitable brand of lunacy, Blanche and Cowl are totally unbearable even before the second reel has run its course.  Is there anyone who can explain why the film attracted an audience of 1.5 million?
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Next Jean Girault film:
Les Veinards (1962)

Film Synopsis

Edouard and Félix are a pair of bungling estate agents who have no aptitude for the job whatsoever.  Tired of their mishaps, their employer is ready to dismiss them but he gives them one last chance.  They can keep their jobs providing they sell a house in a remote spot to a wealthy English woman.  The duo are busy showing their client around the house when they find its owner lying dead in the hall with a knife in his back.  Having managed to conceal the body from their client, by moving it from one hidey hole to another as she views the house, Edouard and Félix find they have another problem.  Unless they can find the owner's written agreement to sell the house the sale cannot go ahead.  It's time for them to change their métiers and become amateur sleuths...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean Girault
  • Script: Jean Girault, Jacques Vilfrid
  • Cinematographer: Raymond Letouzey
  • Music: Michel Magne
  • Cast: Francis Blanche (Édouard), Darry Cowl (Félix), Elke Sommer (Brigitte), Jacqueline Maillan (Gin, l'Anglaise), Valérie Lagrange (Monica), Rolande Kalis (La princesse), Claudine Coster (Ingrid), France Anglade (Une candidate au permis de conduire), Roger Carel (Le comte de la Bigle), Daniel Ceccaldi (La Banque), Mario David (Le lanceur de couteaux), Bernard Dhéran (L'inspecteur de l'auto-école), Daniel Emilfork (Igor, le majordome), Serge Marquand (Le chasseur du professeur), Jean Tissier (Le professeur Gédéon Depois-Demesure), Sky Hi Lee (Le voleur de la banque), Christian Méry (Un candidat au permis de conduire), Yves Barsacq (Le maître d'hôtel de 'La Banque'), Dominique Marcas (La directrice du collège de jeunes filles), André Badin (Ludovic, le chauffeur)
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 91 min
  • Aka: Who Stole the Body?

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright