Mauvaise foi (2006)
Directed by Roschdy Zem

Comedy / Drama
aka: Bad Faith

Film Review

Abstract picture representing Mauvaise foi (2006)
For his first film as a director, Roschdy Zem takes on the weighty subject of racial tolerance and, despite some evident first-time nerves, he delivers a film that is both good-natured and true to life.  One of French cinema's best-known and most highly regarded actors, Zem has so far graced over fifty films, many with a contemporary racial theme.  Mauvaise foi offers a sobering reminder that racism is still very much present in our seemingly colour-blind society - indeed racial prejudice is something which afflicts us all, something that is built into our DNA.  What it is particularly interesting about this film is that the greater threat to the relationship of a mixed couple is not how others perceive them, but how they imagine others perceive them.  Learning to understand the causes of racial intolerance is halfway towards resolving the problems of racism.  The film may at first appear somewhat superficial, but it contains some important messages for our time.

Zem's inexperience as a director is evident throughout the film.  His direction is pretty uninspired and at times the film resembles a low-grade soap opera.  His screenplay (co-written with another distinguished actor, Pascal Elbé) is also marred by first film nervousness and is just a little too wary of causing offence.  Fortunately, these weakness on the directing and writing fronts are effectively masked by the contributions from the superlative cast.  Zem is effectively partnered with Cécile De France, a gifted actress who provides the film with its most intense and poignant moments - it is the sincerity that she brings to her scenes that most lifts the film and gives it the edge it badly needs.  The talented supporting cast includes Jean-Pierre Cassel (magnificent in one of his last screen roles) and an instantly likeable Pascal Elbé.   If only the writing had matched the quality of the acting, Mauvaise foi would have been an exceptional piece of film drama.

Occasionally, Zem overcomes his crippling timidity and slips in a few politically incorrect asides, but these are disappointingly few and far between and the film could have benefited from a few more excursions into naughty irreverence, if only to drive home the absurdity of racial intolerance.  Mauvaise foi is a film that is unlikely to offend anyone, but it would undoubtedly have had much greater impact if its writer-director had been willing to take a few more risks.  As it is, the film is disappointingly tame and anodyne, although it still manages to get across its central point, which is that we should never give in to racial prejudice.  Life is just too short.
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Next Roschdy Zem film:
Omar m'a tuer (2011)

Film Synopsis

Clara and Ismaël are a happy couple, and when Clara discovers she is pregnant they are overjoyed.  But their elation is short-lived.  Just how are they going to break the news to their parents?  Clara is a Jew. Ismaël is a Moslem.  Their parents do not even know that they are in a relationship.  Just how will they react when they discover Clara is expecting a baby...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Roschdy Zem
  • Script: Pascal Elbé, Agnès de Sacy, Roschdy Zem
  • Cinematographer: Jérôme Alméras
  • Music: Souad Massi
  • Cast: Roschdy Zem (Ismaël), Cécile De France (Clara Breitmann), Pascal Elbé (Milou), Jean-Pierre Cassel (Victor Breitmann), Martine Chevallier (Lucie Breitmann), Bérangère Bonvoisin (Martha), Leïla Bekhti (Mounia), Nalma Elmcherqui (Habiba), Antoine Chappey (Fredo), Mickaël Masclet (Julien), Abdelhafid Metalsi (Karim)
  • Country: Belgium / France
  • Language: French
  • Support: Color
  • Runtime: 88 min
  • Aka: Bad Faith

The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright