Film Review
David Cronenberg's first foray into sci-fi thriller territory,
Scanners had the potential to be
one of his finest films, but whilst it deals imaginatively with some
interesting and genuinely chilling concepts, it falls down massively in
the execution. The film's main failings are a lack of narrative
coherence, an over-reliance on techno-babble (of the kind you would
expect to see only in a low-grade B-movie) and a dearth of believable
characters. This can largely be put down to the chaotic
conditions under which the film was made. Owing to a crazy
production schedule, which he had no control over, Cronenberg ended up
scripting scenes in the morning ahead of the day's shoot, which
explains why the plot barely hangs together and why the characters are
in the main faceless nonentities who exist merely to service the plot.
Cronenberg's direction is as slick, focused and inventive as ever, and the film
features some of his most impressive special effects (most notably the
famous, and oft-imitated, exploding head sequence), but the end result
feels hopelessly muddled and unsatisfying. On the acting front,
the film is generally well-cast, the one obvious let-down being Stephen
Lack who, as the principal good guy, delivers his lines so flatly that
you could easily convince yourself that he was an android with a
personality bypass and batteries that badly need recharging. Not
having a central character we can sympathise with is certainly a
handicap, but at least
Scanners
offers up a seriously nasty piece of work as the main villain of the
piece, Darryl Revok, played with an intense demonic relish by Michael
Ironside. Despite the mixed reviews it received,
Scanners was one of Cronenberg's
biggest box office successes and one of his most influential films,
inspiring a number of inferior sequels and spin-offs.
© James Travers 2011
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
After making a telepathic attack on a woman in a shopping mall,
down-and-out Cameron Vale is tranquillised and captured by ConSec, a
high-tech security systems company. Vale is identified as a
Scanner, a rare example of a human being with highly developed powers
of extrasensory perception. One of ConSec's senior scientists Dr
Paul Ruth recruits Vale for a dangerous but vital mission - to track
down a rogue Scanner named Darryl Revok, who intends using his powers
for purely evil ends. Vale makes contact with some other
Scanners, but these are ruthlessly slaughtered by Revok. The
latter has absolutely no intention of being captured by ConSec and has
a sinister purpose in mind for Vale...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.