Sugar Daddies (1927) Directed by Fred Guiol, Leo McCarey
Comedy / Short
Film Review
This silent short marks the end of an era for Laurel and Hardy, the
last film in which they appeared together not as friends but as
unconnected characters. They are partnered with James Finlayson,
who would subsequently appear in many of the films they made at Hal
Roach Studios. Although Stan and Ollie have little to do
together here, it is still apparent that they have a natural comic
rapport and look destined to form an enduring double act. The
film's one running gag (Stan posing as Ollie's tall wife by sitting on
Finlayson's shoulders and wearing a long coat) is an extension of one
that the boys first used in Love 'Em
and Weep (1927). There isn't much to this film other than
an amusing chase through a fun fair which ends with a corker of a punch
line. Film buffs should note that the film's cinematographer was
none other than George Stevens, who would later have an enormous
impact as a film director, with such films as A Place in the Sun (1951) and
Shane (1953).
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Millionaire Cyrus Brittle wakes up one day to find that, in the course
of a night of drunken revelry, he managed to get married to a complete
stranger. The bride's brother is a good-for-nothing extortioner
whose hobbies include murdering people. Determined not to give in
to his in-laws demands for a pay off, Brittle takes flight, accompanied
by his butler and his lawyer. Unfortunately, the wife and her
gun-toting brother are not far behind...
Cast: James Finlayson (Oil tycoon Cyrus Brittle),
Stan Laurel (Brittle's lawyer),
Oliver Hardy (Brittle's butler),
Noah Young (Brittle's brother-in-law),
Charlotte Mineau (Mrs. Brittle),
Edna Marion (Daughter),
Eugene Pallette (Hardy look-alike),
Jack Hill (Hotel extra),
Charlie Hall (Hotel extra),
Sam Lufkin (Fun House ticket taker),
Dorothy Coburn (Girl in the Fun House),
Ray Cooke (Bellboy),
Jack Adams,
Will Stanton
Country: USA
Language: English
Support: Black and White / Silent
Runtime: 20 min
The very best fantasy films in French cinema
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.