The Witches (1966)
Directed by Cyril Frankel

Horror / Thriller / Fantasy
aka: The Devil's Own

Film Review

Abstract picture representing The Witches (1966)
The Witches is one of Hammer's less successful forays into the supernatural thriller genre, a cumbersome and somewhat stilted production that offers few chills and fairs very poorly when compared with contemporary thrillers, such as those being made by Roman Polanski.  In a bid to revive her ailing career, actress Joan Fontaine persuaded Hammer to make the film, based on Norah Lofts' novel The Devil's Own, to which she owned the rights.  As it turned out, the film was not a great success and it was to be the last film Fontaine would appear in.

The screenplay was written by Nigel Kneale, who is best known for scripting the hugely popular Quatermass serials in the 1950s.  It has to be said that this is not one of Kneale's best works.  After a promising start, the narrative soon becomes rambling and uneven, culminating in a spectacularly unconvincing denouement which has B movie written all over it, in gigantic purple letters.  The mannered performances hardly help matters, and you might easily mistake the film for a parody were it not for the fact that it takes itself far too seriously.  It's not quite as bad as some of Hammer's other supernatural horror offerings but it could have been much more effective - had it been better scripted and directed more imaginatively.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Whilst working as a teacher in Africa, Gwen Mayfield suffers a nervous breakdown when the natives turn against her and subject her to a terrifying ritual.  After her recovery, several months later, Gwen finds a job in England, teaching in a small private school in a rural village.  At first, Gwen could hardly be happier.  She gets on well with her neighbours and finds the location peaceful and charming.  But then she begins to sense that all is not what it seems.  One of her pupils is taken ill and, when she finds a headless doll, Gwen begins to suspect some of the locals may be practising witchcraft.  When a villager dies mysteriously, Gwen is convinced he was murdered, but before she can investigate further she has a second nervous breakdown...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Cyril Frankel
  • Script: Nigel Kneale, Norah Lofts (novel)
  • Cinematographer: Arthur Grant
  • Music: Richard Rodney Bennett
  • Cast: Joan Fontaine (Gwen Mayfield), Kay Walsh (Stephanie Bax), Alec McCowen (Alan Bax), Ann Bell (Sally Benson), Ingrid Boulting (Linda Rigg), John Collin (Dowsett), Michele Dotrice (Valerie Creek), Gwen Ffrangcon Davies (Granny Rigg), Duncan Lamont (Bob Curd), Leonard Rossiter (Dr. Wallis), Martin Stephens (Ronnie Dowsett), Carmel McSharry (Mrs. Dowsett), Viola Keats (Mrs. Curd), Shelagh Fraser (Mrs. Creek), Bryan Marshall (Tom), Yemi Ajibade (Mark), Kitty Atwood (Mrs. McDowall), John Barrett (Mr. Glass), Roy Desmond (Dancer), Catherine Finn (Nurse)
  • Country: UK
  • Language: English
  • Support: Color
  • Runtime: 90 min
  • Aka: The Devil's Own

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French war films ever made
sb-img-6
For a nation that was badly scarred by both World Wars, is it so surprising that some of the most profound and poignant war films were made in France?
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright