Judith Therpauve (1978)
Directed by Patrice Chéreau

Drama

Film Review

Abstract picture representing Judith Therpauve (1978)
Patrice Chéreau's second film is this heavy social realist drama featuring a former legend of French cinema, Simone Signoret (now sadly past her best).  The film is a depressing study about the futility of trying to apply the ideals of the past in the modern world.  In spite of the generally good production values, the film cannot be classed as one of Chéreau's better works.  It is ponderously slow in places and has great difficulty engaging its audience.  One major fault is that the characters are not fully developed and seem to just pop up from nowhere without much explanation of the their background.   The film's message is also frustratingly ambiguous and the tragic ending has surprisingly little impact, probably because of its inevitability.  Signoret's performance is typically charismatic but lacks the intensity and pathos needed for the film to have any real impact on its spectator.
© James Travers 2001
The above content is owned by frenchfilms.org and must not be copied.
Next Patrice Chéreau film:
L'Homme blessé (1983)

Film Synopsis

After the death of her husband, a respected combatant who served in the French Resistance during the war, Judith Therpauve lives alone in her country house.  Now in her fifties, she is surprised when, one day, she is visited by some old friends and invited to take over the running of a regional newspaper, La Libre République.  The paper's present editor, Claude Hirsch-Balland, who founded it after the Liberation, is now in hospital, close to death.  Judith realises that the newspaper is in severe financial difficulty, with a dwindling circulation and fierce competition from rival papers, but she agrees to take on the role that has been offered to her.  For the paper to survive, Judith has to introduce some significant changes, and not all of her staff are on her side.  As the paper's readership declines even further, it loses its most important advertisers, and Judith is forced to mortgage everything she owns when the banks refuse to bail her out.  When a rival launches a free newspaper funded entirely by advertisements Judith realises that the game is up...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Patrice Chéreau
  • Script: Georges Conchon, Patrice Chéreau
  • Cinematographer: Pierre Lhomme
  • Cast: Simone Signoret (Judith Therpauve), Philippe Léotard (Jean-Pierre Maurier), Robert Manuel (Droz), François Simon (Claude Hirsch-Balland), Marcel Imhoff (Pierre Damien), Daniel Lecourtois (Desfraizeaux), Jean Rougeul (Genty), Alain David (Louis), László Szabó (Lepage), Jean Rougerie (Fournol), Alain Libolt (Le maquettiste), Hermine Karagheuz (Nicole), Robert Lombard (Le banquier), Gérard Dournel (Lecacheux), Philippe Castelli (Huissier de rédaction), Pierre Frag (Concierge du stade), Jean Berger (Avocat Marc Loussier), Daniel Schmid (Jean), Laurence Bourdil (Marianne), Marie-Paule André (Jeanne)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 125 min

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright