Two Way Stretch (1960)
Directed by Robert Day

Comedy / Crime

Film Review

Abstract picture representing Two Way Stretch (1960)
Two-Way Stretch represents vintage British comedy at its near-best, a humorous caper movie featuring a dazzling array of great British performers headed by the incomparable Peter Sellers.  Setting a template for prison-based comedy that would be shamelessly stolen by Dick Clement and Ian La Frenais for their popular British sitcom Porridge in the 1970s, the film extracts as much comedy mileage as it can from the least likely of situations and has stood the test of time far better than many British comedies of this era.  Two-Way Stretch is a classic, a worthy successor to earlier Ealing comedies such as The Lavender Hill Mob (1951).

For once, Peter Sellers eschews the funny voices and comedy stunts, and instead plays the part of the straight man to the menagerie of eccentrics and borderline lunatics who surround him, a magnificent ensemble that includes Wilfrid Hyde-White as the smoothest of conmen and Lionel Jeffries as a hilariously sadistic prison warden. Bernard Cribbins and Maurice Denham lend further comedy muscle to this enjoyably gag-packed romp, aided and abetted by funny girls Irene Handl and Liz Fraser.  Whilst he is perhaps best remembered for his work on the lavish Hammer fantasy She (1965), Robert Day proves here that he was also a highly competent comedy director, as he would also demonstrate on his subsequent Tony Hancock feature, The Rebel (1961).
© James Travers 2013
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Dodger Lane, Lennie Price and Jelly Knight are doing time at Her Majesty's pleasure, but thanks to their benign Prisoner Governor, Horatio Bennett, they have not had to sacrifice their creature comforts.  Bennett believes that convicts should be treated humanely and encouraged to take up creative pursuits, such as tailoring, basket weaving and gardening, to prepare them for their future life outside prison.  For Lane and his chums, prison has become a home from home, and none of them is pleased when their former accomplice, Soapy Stevens, turns up disguised as a vicar in the hope of persuading them to assist him on another heist.  Lane hasn't forgiven Stevens for their last misfired robbery but even he cannot turn down the opportunity of stealing two million pounds worth of diamonds.  If Lane, Price and Knight can break out of jail, steal the jewels, and break back in again, they will have the perfect alibi.  What could possibly go wrong...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Robert Day
  • Script: Vivian Cox, John Warren, Len Heath, Alan Hackney (dialogue)
  • Cinematographer: Geoffrey Faithfull
  • Music: Ken Jones
  • Cast: Peter Sellers (Dodger Lane), David Lodge (Jelly Knight), Bernard Cribbins (Lennie Price), Wilfrid Hyde-White (Soapy Stevens), Maurice Denham (The Governor), Lionel Jeffries (Chief P.O. Crout), Irene Handl (Mrs. Price), Liz Fraser (Ethel), Beryl Reid (Miss Pringle), Noel Hood (Miss Prescott), Myrette Morven (Miss Meakin), George Woodbridge (Chief P.O. Jenkins), Edwin Brown (Warder Charlie), Cyril Chamberlain (Gate Warder - Day), Wallas Eaton (Gate Warder - Night), Andrew Downie (Garden Warder), William Abney (Visiting Room Warder), Thorley Walters (Col. Parkright), John Wood (Captain), Robert James (Police Superintendent)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 78 min

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright